Glass Chair Shiro Kuramata - Shiro Kuramata. Diseñador industrial y de interiores (París). - Ltd., japan, glass and photobond 100 adhesive. With his 'glass' chair appearing almost immaterial, kuramata playfully turns our expectations for the functionality of the piece upside down. During this decade, he designed the kyoto table (1983), made from concrete and glass, and the sally table (1987), made using metal and mosaic glass. Shiro kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention. The furnishings and interiors of kuramata have influenced generations of creatives in japan and around the world, where his pieces have been welcomed to the permanent collections of international institutions like the centre pompidou. Kuramata's miss blanche chair (1988), a transparent resin chair flecked with synthetic roses, creates.
Perhaps the most exquisite of all of kuramata's designs is the miss blanche chair that he made in 1988. Shiro kuramata playfully stretched and skewed tropes of western design, while combining them with traditional japanese aesthetics, to produce items of furniture that are surreal, humorous, and often poetic. In 1976 shiro kuramata came up with the glass chair, consisting entirely of slabs of glass glued together with a new type of adhesive. Master of modern japanese design shiro kuramata is best known for the poetic, often humorous designs he makes from modern industrial materials. His representative works includes furniture such as miss blanche, glass chair, how high the moon, and a number of commercial architecture includes issey miyake's boutiques.
Shiro Kuramata Chair with Steel Pipe and Wood from media.liveauctiongroup.net Glass and photobond 100 adhesive made by mihoya glass co., ltd. Since 2000 we have sold nearly 40,000 lots across the spectrum of 20th and 21st century design. 34.75 x 35.5 x 23.75 inches 88 x 90 x 60 cm born in tokyo in 1934, kuramata grew up during world war ii and the american occupation of japan. Shiro kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention. The glass chair — another icon of kuramata's — flaunts simple lines and the use of a single material to make a chair that's both timeless and ethereal. Shiro kuramata (29 november 1934. The furnishings and interiors of kuramata have influenced generations of creatives in japan and around the world, where his pieces have been welcomed to the permanent collections of international institutions like the centre pompidou. Shiro kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention.
Designed entirely out of flat or subtly curved sheets of glass, the ombre chairs are at once boldly futuristic and hiply retro.
A breakthrough concept, and one that is profoundly true to its material, glass chair set a precedent for the direction of design in glass, in which the simplicity, transparency, and seeming weightlessness of the material are emphasized. 89.2 (h) by 89.8 by 60 cm, 35 1/8 (h) by 35 3/8 by 23 5/8 in. In 1976 shiro kuramata came up with the glass chair, consisting entirely of slabs of glass glued together with a new type of adhesive. Glass and photobond 100 adhesive made by mihoya glass co., ltd. The glass chair — another icon of kuramata's — flaunts simple lines and the use of a single material to make a chair that's both timeless and ethereal. Shiro kuramata playfully stretched and skewed tropes of western design, while combining them with traditional japanese aesthetics, to produce items of furniture that are surreal, humorous, and often poetic. In the 1980, shiro kuramata also designed several pieces of furniture for memphis, which are notably more sophisticated and aesthetically reticent than other designs produced by memphis. With his 'glass' chair appearing almost immaterial, kuramata playfully turns our expectations for the functionality of the piece upside down. Produced by the mihoya glass co. Wright is the premier auction house specializing in modern and contemporary design. Shiro kuramata (29 november 1934. Transparency allows for the trick of revealing space that is optically, but not actually, available. Sottsass, kuramata and the rest thoroughly reworked the very foundations of design by leaning towards more whimsical creations.
Since 2000 we have sold nearly 40,000 lots across the spectrum of 20th and 21st century design. #kuramata #shiro #silla #sillón #vidrio In the 1980, shiro kuramata also designed several pieces of furniture for memphis, which are notably more sophisticated and aesthetically reticent than other designs produced by memphis. During this decade, he designed the kyoto table (1983), made from concrete and glass, and the sally table (1987), made using metal and mosaic glass. Shiro kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention.
SHIRO KURAMATA (1934-1991) , A LAMINATED GLASS CHAIR ... from www.christies.com By 1970, kuramata had introduced alternative materials such as acrylic and glass into his furniture, which played on traditional ideas of materiality and form.transparency, the appearance of weightlessness, and a minimalist vocabulary quickly became his signature. A breakthrough concept, and one that is profoundly true to its material, glass chair set a precedent for the direction of design in glass, in which the simplicity, transparency, and seeming weightlessness of the material are emphasized. Produced by the mihoya glass co. Gift of ronald and jo carole lauder foundation. During this decade, he designed the kyoto table (1983), made from concrete and glass, and the sally table (1987), made using metal and mosaic glass. The furnishings and interiors of kuramata have influenced generations of creatives in japan and around the world, where his pieces have been welcomed to the permanent collections of international institutions like the centre pompidou. He also made a chair, entirely out of glass with no visible joints, using invisible glue. Kuramata's miss blanche chair (1988), a transparent resin chair flecked with.
During this decade, he designed the kyoto table (1983), made from concrete and glass, and the sally table (1987), made using metal and mosaic glass.
Designed entirely out of flat or subtly curved sheets of glass, the ombre chairs are at once boldly futuristic and hiply retro. An edition of this chair was sold at christie's in london for gbp 46,000.00 (usd 86,000.00) in october 1997, lot 108. Shiro kuramata's approach to designing objects reflects the atmosphere of innovation in postwar japan. Shiro kuramata 01 chair in polished chrome or matte varnish for cappellini. During this decade, he designed the kyoto table (1983), made from concrete and glass, and the sally table (1987), made using metal and mosaic glass. Designed in 1976, this work is from an edition of 40. 89.2 (h) by 89.8 by 60 cm, 35 1/8 (h) by 35 3/8 by 23 5/8 in. Produced by the mihoya glass co. It was in the 1980s that shiro kuramata reached the height of fame. Shiro kuramata's iconic glass chair is one of the most influential furniture designs of the 20th century. Shiro kuramata playfully stretched and skewed tropes of western design, while combining them with traditional japanese aesthetics, to produce items of furniture that are surreal, humorous, and often poetic. Shiro kuramata (29 november 1934. Shiro kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention.
In 1965, he established his own interior design practice and mostly designed clubs and bars in tokyo. 34.75 x 35.5 x 23.75 inches 88 x 90 x 60 cm born in tokyo in 1934, kuramata grew up during world war ii and the american occupation of japan. With his 'glass' chair appearing almost immaterial, kuramata playfully turns our expectations for the functionality of the piece upside down. Designed entirely out of flat or subtly curved sheets of glass, the ombre chairs are at once boldly futuristic and hiply retro. A breakthrough concept, and one that is profoundly true to its material, glass chair set a precedent for the direction of design in glass, in which the simplicity, transparency, and seeming weightlessness of the material are emphasized.
SHIRO KURAMATA | GLASS CHAIR | Important Design | Sotheby's from sothebys-md.brightspotcdn.com The glass chair — another icon of kuramata's — flaunts simple lines and the use of a single material to make a chair that's both timeless and ethereal. Kuramata's miss blanche chair (1988), a transparent resin chair flecked with. Produced by the mihoya glass co. In 1965, he established his own interior design practice and mostly designed clubs and bars in tokyo. A breakthrough concept, and one that is profoundly true to its material, glass chair set a precedent for the direction of design in glass, in which the simplicity, transparency, and seeming weightlessness of the material are emphasized. In the 1980, shiro kuramata also designed several pieces of furniture for memphis, which are notably more sophisticated and aesthetically reticent than other designs produced by memphis. Gift of ronald and jo carole lauder foundation. The furnishings and interiors of kuramata have influenced generations of creatives in japan and around the world, where his pieces have been welcomed to the permanent collections of international institutions like the centre pompidou.
Kuramata's miss blanche chair (1988), a transparent resin chair flecked with synthetic roses, creates.
Perhaps the most exquisite of all of kuramata's designs is the miss blanche chair that he made in 1988. Wright is the premier auction house specializing in modern and contemporary design. Shiro kuramata 01 chair in polished chrome or matte varnish for cappellini. Here, kuramata's glass chair is a fabulous example of this optical illusion. Shiro kuramata is widely admired for his ability to free his designs from gravity and use materials in ways that defied convention. An edition of this chair was sold at christie's in london for gbp 46,000.00 (usd 86,000.00) in october 1997, lot 108. He also made a chair, entirely out of glass with no visible joints, using invisible glue. Gift of ronald and jo carole lauder foundation. In the 1980, shiro kuramata also designed several pieces of furniture for memphis, which are notably more sophisticated and aesthetically reticent than other designs produced by memphis. With his 'glass' chair appearing almost immaterial, kuramata playfully turns our expectations for the functionality of the piece upside down. As a result of the acrylic glass. Shiro kuramata playfully stretched and skewed tropes of western design, while combining them with traditional japanese aesthetics, to produce items of furniture that are surreal, humorous, and often poetic. 89.2 (h) by 89.8 by 60 cm, 35 1/8 (h) by 35 3/8 by 23 5/8 in.
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